Hong Ling Wee delights in making both sculptural work as well as ceramic  objects for use.  She is partial to finding different ways of  integrating sculptural forms with functional ceramics without  sacrificing aesthetics or practicality.  She likes her creations to  harness a quiet contemplative attribute, to serve as visual stimulation  and to provide tactile pleasure.
  
  For her functional pieces, Wee  gives a contemporary freshness to a traditional craft by specializing in  one-of-a-kind handmade ceramics that transform everyday utilitarian  pottery into delightful, decorative objects.
Wee explores simple  objects that are often taken for granted, and gives them greater  importance by expressing human gestures and relationships through them.   Her creations often make references to her family and heritage. Wee is  attentive to ergonomic details and sees successful designs as the union  of function and aesthetics. She wants her work to occupy a living space  and be engaged in daily use to fulfill ideas of the useful and the  beautiful.
  
In her sculptural work, Wee is developing a series of  Prayer Houses to explore the extremely private and intimate use of a  public sacred space. She is attracted to spaces where humans feel close  to the divine; the work addresses the elusive qualities that define a  sanctum.
Bio
Hong-Ling  is a scientist-turned-artist who realized her passion for  ceramics during her pursuit of a Ph.D. in Geography.  Since completing  her doctoral degree in 2005, she has been a full-time ceramicist who  splits her time between the United States and Asia.
        
        Hong-Ling has  participated in numerous exhibitions all over the United States,  Australia, Japan, Korea, China and Singapore.  Hong-Ling  has also held Artist-in-Residence positions at the Vermont Studio  Center (Vermont, USA), the Shigaraki Ceramic Institute (Japan), and the  Jingdezhen Experimental Factory and Pottery Workshop (China). 
        
        Hong-Ling’s  works are in the permanent collections of the Singapore Art Museum  (Singapore), the Shigaraki Ceramic Cultural Park (Japan), the Fule  International Ceramic Art Museum (Fuping, China) and the Guangxi  National Art Center (Nanning, China).
Hong-Ling's website